Friday was particularly hectic as I had three fittings, a quick change rehearsal at another location, and a tech dress in the afternoon. After the rehearsal we went out for a well deserved beer and some food, then home where I immediately sat down and fell asleep.
I think everything went well apart from a pair of breeches in a horrible ultra/fake suede. I don't know if you have ever fought with a fabric but I sure did with that one. I think we will be making a replacement pair this week!
in case you were wondering, this ultra/fake suede is likely upholstery quality- it has absolutely no give, it is extremely bouncy and resistant along the weft, so much that you cannot gather it- it just fights you- yet along the warp it will fold completely flat. If it is cut as you normally would, it looks like you are wearing a barrel, and cut the other way, well, lets just say that the seat of the breeches was odd looking! It also has horrible static cling, so the legs kind of clung to the actor in odd ways. Not good.
Note to self- just plead for real leather or suede!
It is a tale of woe, and a mistaken belief in Internet purchasing to solve budget crunches that leads me to be drafting again for our 19th century show.
Beware you who think that you can order quality costumes off the Internet to save money.
Give your head a shake too if you think that anyone will even look at the measurements you send even though you think you are getting a "custom-made" product.
The "thing" that arrived (on the day we were onstage) was so bizarre that I couldn't believe what I was seeing. It wasn't just the fact that it did not fit the actor, nor had any proper shaping, or proportions that related to the human body, and it was not a full skirted frock coat but a weird tailcoat like thing. The skirt was a strange one piece apron of fabric, bagged out with coarse cotton duck as a lining with no centre back vent opening, no relation to anything that it should be.
We dubbed it the "manatee" perhaps because it reminded me somewhat of Tenniel's drawing of the walrus from Through the Looking Glass by Lewis Carroll.
Suffice to say that I am making one now.
That is for tomorrow though.
The manatee!! That is great! Yes, I too have been looking at online frock coats, as an "in case we can't fit our generously built actor" from the rental stock. I too thought those tails and rear center seams looked a bit wierd! I'm so sorry you got slammed! And yes, I too have struggled with fake ultra suede. What a horrendous thing. Suitable only for car upholstery, if you don't mind getting out of it with your clothing sticking to your legs!!
ReplyDeleteJust because I'm nosy: What does you do with your pattern after the garment is finished?
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heidi
I keep some patterns that I feel I might use again for reference, or for actors who are difficult to fit, so I can go back and check against a new pattern. Other than that, I throw them out the next year. I need to keep them for a year in case a costume needs to be remade before the show closes.
ReplyDeleteI used to keep them longer but I found that I didn't really use them and it is easier to make a half scale draft with notes for the period detailing. Fewer storage issues.
I enjoy your blog :) I am a custom seamstress/alterationist :) I specialize in altering bridal and formal wear. I LAUGHED OUTLOUD when I read your description of an ONLINE purchase :) Customers bring me THEIR online purchases to alter-HOPEFULLY :) Some of them are examples of the WORST SEWING I have EVER SEEN :( Poor fabric quality and BAD design :( But people INSIST on thinking they are SAVING MONEY ONLINE :( Oftentimes=yes... Sometimes=NO :(
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