As I mentioned, these ruffs are simpler than the circular kind, but there are a few things we think makes a difference in the finished item.
The edge! It help to have an extra bit of something on the outside edge. The ruff starts as a layer of fabric with a layer of marquisette laid on top and stitched down the centre. Karen then inserted a heavy fishing line in the folded edge of the fabric. Once this step is complete, the inner edge needs to be stitched
together. Both of these ruffs were stitched once with a straight stitch to hold the layers then zigged closely and trimmed.
Silvia's ruff has an edge finished with a close serge in black using woolly nylon thread. As well, we finally found a use for those decorative stitches that seem to be included on many domestic sewing machines! A nice floral stitch pattern added along the edge of the fabric gives the impression of the ever popular blackwork look.
You can see the ruff being gathered up here, mark the spacing you want, then stitch by hand through the dots and gather up the resulting pleats. You need to allow for the turn of cloth when calculating the spacing. For instance, these are pleated up at 1 1/2 inches to be stitched to a 1 1/4 inch band.
The last picture is the ruff almost complete. We are not sure of the exact size required yet, as it will be attached to a doublet collar, which is still under construction. We have allowed some extra fabric to pleat and extra neck band length, so it can be adjusted to fit, then finished.
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